Research on the Integration and Innovation of Ceramic Decorative Pattern Design and Traditional Culture: Decorative Pattern Design and Traditional Culture -- Taking the Ceramic Design of Qilizhen Kiln in Ganzhou as an Example

Guoguang Zeng

doi:10.54097/hiaad.v1i1.1699

Authors

Guoguang Zeng

DOI:

https://doi.org/10.54097/hiaad.v1i1.1699

Keywords:

Ceramic decoration, Pattern design, Traditional culture, Integration and innovation, Ceramic Design

Abstract

Ceramics, from the initial practicality to artistry, has a profound impact on social life and its value is unique. Tracing back to the origin of Chinese ceramic art, the application of decorative patterns is legendary. These decorative arts with national and cultural characteristics have distinctive characteristics of the times. Traditional culture is embedded in decorative patterns, which are dominated by the spirit of traditional culture. It is a profound historical accumulation of national traditional culture. Looking at the decorative patterns of ceramic art, these patterns are melting the collision of thoughts, reflecting the ceramic decorative patterns of the light of Chinese civilization for thousands of years, and are also the profound embodiment of the cultural and artistic values of Chinese civilization. This article mainly takes Ganzhou Qilizhen kiln ceramic design as an example to interpret the application of traditional culture in ceramic decorative art. A curve fitting technique based on adaptive genetic algorithm is proposed. The process of curve fitting using adaptive genetic algorithm and curve tools is described in detail, and the comparison results are given. The research shows that the adaptive genetic algorithm can effectively reduce the original iteration times by 30.14% compared with other algorithms. At the same time, this method is applied to the process of pattern design.

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