The Influence of Song Dynasty Literati on Chinese Painting

Authors

  • Yao Liu

DOI:

https://doi.org/10.54097/f6zjh892

Keywords:

Song Dynasty Literati, Literati Painting, Scholar-Painter Art

Abstract

During the Song Dynasty, the literati not only played a significant role politically but also wielded dual functions of inheritance and innovation in the cultural and artistic domains. This paper examines how, through their unique epochal context, cultural vision, and aesthetic preferences, the literati managed to effect a profound transformation in the value orientation of Chinese painting. It analyzes the new trends in the development of Chinese painting art during the Northern Song period through the change of patrons, the evolution of theme selection, and innovations in artistic expression. The pursuit of the "non-utilitarian" in painting by Song Dynasty literati not only enriched the connotations of Chinese painting, marking a transformation in spiritual pursuits but also laid a solid theoretical and practical foundation for the literati painting of later generations.

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References

Murck, Alfreda. "Political Implications in Song Dynasty Poetry and Painting" [M]. Zhonghua Book Company, 2009.

Li Sheng. "Preliminary Exploration of the Folk Painting Patronage System in the Song Dynasty" [J]. Art Exploration, 2013, 27(02): 6-12+4.

Gu Weixu, Gu Kaizhi. "Research on 'Literati Painting' and Its Theoretical Impact on the Development of Traditional Landscape Painting" [J]. Journal of Southeast University (Philosophy and Social Science Edition), 2019, 21(06): 120-124+148.

Lü Wei. "The Rise of 'Literati Painting' in the Northern Song Dynasty and Its Dissemination Mechanism" [J]. Culture and Communication, 2021, 10(06): 85-90.

Zhang Yanyuan. "Famous Paintings Through the Dynasties (Revised Edition)" [M]. People's Fine Arts Publishing House, 1964.

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Published

27-04-2024

Issue

Section

Articles

How to Cite

Liu, Y. (2024). The Influence of Song Dynasty Literati on Chinese Painting. Highlights in Art and Design, 5(3), 37-40. https://doi.org/10.54097/f6zjh892