From Handicraft to Intangible Heritage: A Study on the Historical Change and Development of Batik Culture in Anshun

Kun Quan; Azlin Iryani binti Mohd Noor

doi:10.54097/m912b864

Authors

Kun Quan
Azlin Iryani binti Mohd Noor

DOI:

https://doi.org/10.54097/m912b864

Keywords:

Anshun Batik, Handicraft, Intangible Cultural Heritage, Inheritance and Development

Abstract

In the process of historical development, Anshun batik has experienced three development stages under different social and economic backgrounds, which are daily necessities in agricultural society, commercial handicrafts in the reform and development period, and Intangible Cultural Heritage technology in modern society. As a kind of traditional handicraft with strong practicability, even though it has the new identity of Intangible Cultural Heritage, Anshun batik, like other handicrafts, is also subject to the great impact of social changes and is facing the crisis of inheritance and development. Under the tide of Intangible Cultural Heritage protection, how to enhance the survivability of Anshun batik so that it can be integrated into contemporary life and better inherited and developed is the issue that this research attempts to explore.

Downloads

Download data is not yet available.

References

[1] Anshun Area Industrial Annals Compilation Committee, 1998, Anshun Area Industrial Annals. Anshun: Anshun Regional Administration Economic and Trade Bureau.

[2] Anshun Ethnic Affairs Commission, 1996, Ethnography of Anshun. Guiyang: Guizhou Nationalities Publishing House.

[3] Anshun Local Chronicles Compilation Committee, 1990, Annals of Anshun City. Guiyang: Guizhou People's Publishing House.

[4] Fang Lili, 2021, “Living History” and the Construction of Artisan Knowledge: A Case Study of the Folk Kiln Industry in Jingdezhen. Jiangxi Social Sciences, No.12, 2021, 226-238.

[5] Fang Kun & Liang Kuan, 2020, Analysis of the Overall Trend of Traditional Cultural Inheritance and Innovation in the Context of Rural Revitalization. Journal of Guangxi University for Nationalities (Philosophy and Social Sciences Edition), No. 5, 2020, 43-51.

[6] Guizhou Provincial Local Chronicles Compilation Committee, 1993, Guizhou Provincial Chronicles · Textile Industry. Guiyang: Guizhou People's Publishing House.

[7] Fan Song & Meng Danqing, 2016, Batik Artist. Guiyang: Guizhou Education Press, P11-12.

[8] Jia Jingsheng, 2013, Research on Chinese Modern Folk Handmade Batik Craft Culture. Beijing: Tsinghua University Press.

[9] Huang Xiuli, Liang Tianqi, Hu Fang & Lin Xiuqiao, 2022, Research on the Evolution Trend and Revitalization Path of Intangible Cultural Heritage of Traditional Craft in the Post-intangible Cultural Heritage Era: Taking Zhongxin Lantern as an Example. Journal of Chongqing University of Arts and Sciences (Social Sciences Edition), Nov. 2022, Vol.41 No.6, P34-48.

[10] Li Weiwei, 2021, The Modern Transformation of Left-behind Women’s Handicraft and Heritage Protection. Journal of Mudanjiang College of Education, No. 10 (Total No. 229) 21.

[11] Lin Yan & Li Huifen, 2023. Protection Mechanism and Activation Path of Intangible Cultural Heritage. Nanjing Social Sciences, No. 23 (3).

[12] Pan Lusheng, 2012, Reflections on the Construction of Rural Culture. Journal of Shandong Institute of Arts and Crafts, No.5, 2012.

[13] Qian Zhong Editorial Board, 2009, Spiritual Hua Zhang · Qian Zhong. Guiyang: Guizhou People's Publishing House.

[14] Shi Aiqin, Gao Rong & Zheng Linxin, 2022, Research on the Design Intervention in the Development of Rural Handicraft Creative Products. Research in National Art, 22, 35 (06), P95-102.

[15] Xiao Fang & Wang Hui, 2021, Research on the Path of Integrating Material Cultural Heritage into Contemporary Life. Journal of Guangxi University for Nationalities (Philosophy and Social Science Edition), 21, Jan., Vol.43,No. 1.