A Case Study in Participatory Environmental Art

Feiran Chen

doi:10.54097/df74w925

Authors

Feiran Chen

DOI:

https://doi.org/10.54097/df74w925

Keywords:

Environmental Art, Olafur Eliasson's , Critical Perspectives

Abstract

This study examines Olafur Eliasson's "Ice Watch" series (2014-2018) as a participatory environmental art initiative to raise awareness of climate change. Eliasson demonstrates the effects of global warming by deliberately placing substantial pieces of glacial ice in urban centers such as Copenhagen, Paris, and London. The project integrates geological and human temporal dimensions by promoting public engagement and fostering a sense of intimacy and connection with the melting ice. The installation's ephemeral quality underscores the urgency of addressing climate change and prompts reflection and proactive measures. "Ice Watch" is widely acknowledged as an effective instrument for environmental communication, although it faces criticism regarding its ability to universally represent climate impacts. It elicits emotional and mental responses that motivate individuals to alter their behaviour and increase their engagement in community activities. This study emphasizes the significance of participatory art in addressing global environmental challenges and fostering sustainability.

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References

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