Explore the Representation of Heroic Elements in Saving Opera

Authors

  • Na Peng

DOI:

https://doi.org/10.54097/zvq7fk58

Keywords:

Save the opera, 《Federio》, Hero, Social musicology.

Abstract

 The New Grove Dictionary of Music and The Musician defines the term "saving opera" as "an ambiguous term with a plot development pattern of" one or more people save the protagonist from physical and mental distress ". Salvation opera is especially so because of the word "salvation". Before the French Revolution, the creation "horror" appeared in the field of European literature. With the "Gothic novel" as the main representative, it creates a very mysterious and scary atmosphere for people. It is this "horror" factor that affects the creation of opera. Symatic themes are repeatedly used in operas, such as "Dark", "Cage", "mistreated women", etc. It stimulated the script writer's curiosity and explored under this theme, when the prototype of the rescue opera began to form."Gothic" literature brought rescue opera an unprecedented style of comic opera. However, the rescue opera at this time has not formed its unique artistic value and spiritual significance, and has not yet had a profound impact on the society at that time.

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References

Wei Wei. Explore the rescue opera Fidelio [D]. Shanghai Normal University, 2015.

The Sociology of Music, Beijing: People's Music Publishing House, August 1997.

Peaceful. From darkness to light from suffering to joy ── Beethoven's opera "Fetelelio" duet, chorus paragraph analysis [J]. Qilu Art Garden, 2001 (02).

peaceful. From struggle to victory —— review of the opera Ferelio [J]. Music Research, 2002 (04).

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Published

14 March 2024

Issue

Section

Articles

How to Cite

Peng, N. (2024). Explore the Representation of Heroic Elements in Saving Opera. International Journal of Education and Humanities, 13(1), 37-38. https://doi.org/10.54097/zvq7fk58