Research on Public Sphere, Publicity and Public Art in Chinese Context

Abstract

In pursuit of a deeper understanding and fostering innovative perspectives within China's public art discourse, this article addresses the pressing issue of "publicity" as it pertains to the domain of public art within the Chinese milieu. Leveraging Jürgen Habermas's seminal theory of the public sphere, the manuscript delineates the stance that the intrinsic value of public art is epitomized by its "publicity." Through a meticulous examination of the evolutionary trajectory of public art in China, and the scrutiny of select exemplars of public artworks, the study elucidates the importance and overarching implications of "publicity" in public art. Moreover, the paper champions a forward-looking design philosophy, critically analyzing and probing the challenges associated with the "publicity" of Chinese public art, whilst contemplating potential pathways for its prospective advancement. By conducting a thorough exploration of these issues, the article aspires to contribute meaningfully to the theoretical enrichment and practical enhancement of public art within the dynamic context of China.