Fiction and Real Meaning of the Russian Film King of Mongolia

Wei Wang

doi:10.54097/epbbdq94

Authors

Wei Wang

DOI:

https://doi.org/10.54097/epbbdq94

Keywords:

King of Mongolia; Film; Fiction; Music.

Abstract

The Russian film King of Mongols tells a completely fictional story of Genghis Khan, and the reason for its creation is that the fundamental reason for fiction is to present the real content with a fictional storyline, and the story is only the outer form, but the core is the inner meaning. What "King of Mongolia" wants to express is Genghis Khan's thinking about "why" and "how" he became a "king", the wisdom of a leader, the breadth of mind of a wise man, the struggle of a courageous man, and the king's demeanour eventually made him grow up to be a great king. The wisdom of the leader, the breadth of mind of the wise man, the struggle of the brave man, and the style of the king finally make him grow up to be the king of a generation.

Downloads

Download data is not yet available.

References

[French] Paul Ricoe, translated by Wang Wenrong: "The Shaping of Time in Fictional Narrative. II, Time and Narrative Volume, Beijing: Commercial Press, 2018.

by [Israel] Rimon Kenan. Translated by Yao Jinqing, Huang Hongwei, Fu Hao, and Yu Zhenbang: Narrative Fictional Works [M], published and distributed by Sanlian Bookstore, 1989.2.

[American] Lu Xiaopeng. Translated by Wang Wei: From Historical Reality to Fiction: Chinese Narrative Poetics [M]. Peking University Press 2012.12.

Dai Jinhua, Wang Yan. Return to the Future: History and Society on Screen [M]. Life-reading-Xinzhi Sanlian Bookstore Publishing House, 2019.8.

Ni Jun. History of Chinese Cinema [M]. China Film Press, 2004.1.

The History of Western Film Theory [M]. Beijing:China Bookstore, 2005.