The Application of Traditional Hmong Patterns in Contemporary Ceramic Designs

Authors

  • Anqi Min

DOI:

https://doi.org/10.54097/8kecz781

Keywords:

Hmong, traditional patterns, ceramics, cultural heritage.

Abstract

China's ethnic minority cultures, with thousands of years of historical past, have exceptionally rich and profound cultural values and material creations. However, given modern society's rapid industrialisation process, these indigenous cultures are frequently marginalization and fail to be widely absorbed into the global mainstream culture. Many traditional designs, decorations, and costumes are currently just emulating the ancient manner. Meanwhile, modern porcelain design emphasizes utilitarian use and the minimalist aesthetics of modernity. What novel sparks could be generated by merging China's distinct traditional cultural aspects with modern design concepts? Exploring how to inherit and innovate these traditions, as well as how to make the perfect integration of modern life and porcelain design, can not only play a unique role in our daily work and living environment, but also promote a deeper "dialogue" between porcelain and its users.

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References

Lin Xi. Aesthetic and Cultural Implications of Butterfly Patterns in Miao Clothing in Western Hunan[J]. Vacation Tourism, (2018). No.3.

Guo Hongxiu. Research on the redesign application of Xiangxi Miao pattern patterns in tourism souvenirs[J]. Northern Lights, 2019.

Xi Yan , Gu Yi . Research on cultural development and market change of Miao handicrafts in Qiandongnan region of Guizhou [J]. Popular Literature and Art ,(2019). p.252-255.

Zhou Jilie . The aesthetic characteristics and value of Miao clothing patterns [J]. Guizhou ethnic research , (2004), p.74-77.

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Published

24 April 2024

Issue

Section

Articles

How to Cite

Min, A. (2024). The Application of Traditional Hmong Patterns in Contemporary Ceramic Designs. International Journal of Education and Humanities, 13(3), 326-328. https://doi.org/10.54097/8kecz781