Homogenization of Wabi-Sabi and New Chinese Design and Solutions

Authors

  • Lucheng Mi

DOI:

https://doi.org/10.54097/vg6ng402

Keywords:

Wabi-sabi, New Chinese Style, Design, Homogeneity

Abstract

This paper focuses on the two design concepts of wabi-sabi and new Chinese style. Through the comparison of specific design cases, it analyzes the differences between the two similar styles and puts forward some suggestions on how to avoid the problem of design homogeneity. The research in this paper is not only conducive to the academic community to fully grasp the essential characteristics of the two design styles; it also helps the academic community to deeply understand the similarities and differences between the two; it has certain academic significance and practical value in promoting the theoretical research and practical application of wabi-sabi and new Chinese style.

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References

Hao Hongyang. "Study on the dilemma and innovation of new Chinese furniture design style." Jushe. 30(2022):37-41.

Li Peng, and Zhu Mingyu. "Thoughts on the integration of minimalism into new Chinese furniture design." Jushe. 19 (2019):92.

Wang Shaohua, and Xiao Derong. "Study on new Chinese furniture design based on Zen culture." Furniture and Interior Decoration. 01(2017).

Chen Xixi. "Derived from Zen and born from simplicity - a brief discussion on the beauty of Japanese "wabi-sabi". Art and Technology 30.01(2017):246.

Liu Peisheng. "A Study on the Characteristics of Zen-style Minimalist Art in Japanese Modern Design." Chinese Art.03 (2021):96-101.

Gustav Ecke : Chinese Domestic Furniture , Diling Publishing, (1994):23.108.143.

Leonard Koren :wabi-sab : for artists, designers, poets and philosophers, Imperfect Publishing,11 (2008). 98.

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Published

7 July 2024

Issue

Section

Articles

How to Cite

Mi, L. (2024). Homogenization of Wabi-Sabi and New Chinese Design and Solutions. International Journal of Education and Humanities, 15(1), 106-108. https://doi.org/10.54097/vg6ng402