Aesthetic Research of Dunhuang Intangible Cultural Heritage

Take the Dunhuang Tune and Opera as An Example

Authors

  • Yihan Bai

DOI:

https://doi.org/10.54097/ijeh.v7i2.5565

Keywords:

Music play civilian, Colloquial class set interpretation.

Abstract

The paper mainly analyzes the origin of Dunhuang music and its culture from the three aspects of geography, history and humanity, so as to explore the aesthetic style of Dunhuang opera. Then from the research subject matter and singing opera to explore the "vulgar" beauty. The third part is the true interpretation of Dunhuang opera. Combined with the investigation data, the paper analyzes the "spontaneous" self-music class of Dunhuang opera, the role interpretation and the aesthetic characteristics of "simple refinement" and "both form and spirit". Finally, the inheritance and protection of Dunhuang opera from the perspective of aesthetics, and from the current environment of Dunhuang opera, puts forward relevant strategies for its inheritance and protection from the perspective of aesthetics. The conclusion section summarizes the key points of each chapter and makes a summary, believing that Dunhuang opera is a valuable intangible cultural heritage left to us by history. At the same time, it is also the folk art with local artistic characteristics and aesthetic characteristics created by the local people in the long-term working life. It is necessary for local governments to strengthen the publicity of Dunhuang tunes and opera, and promote the development and innovation of Dunhuang tunes and opera, so that more young forces can participate in the protection and inheritance of Dunhuang tunes and opera  At present, the research on Dunhuang opera is more focused on inheritance and protection, and the aesthetic research is more important.For the sake of lack, although few periodical papers have studied Dunhuang opera from the aesthetic point of view, they have not been studied.A systematic study of formation. From the perspective of aesthetics, this paper makes a study on the essential and artistic characteristics of Dunhuang Opera.Interpretation and analysis of its aesthetic connotation, so that the public can have a new understanding of Dunhuang Opera and a deeper understanding of Dunhuang OperaInto the understanding. From the point of view of aesthetic culture, the author hopes to put forward some suggestions on the inheritance and inheritance of Dunhuang opera. The feasibility suggestion of protection, and give certain reference value to promote the music research of Dunhuang opera.It is also helpful to the construction of music aesthetics.

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References

Hu Zhiyi. Zhouyi Culture and the Performing Aesthetics of Chinese Opera [J]. Zhouyi Culture Research, 2016.

Ji Guoping. Emphasizing the necessity of Chinese opera aesthetics [J]. Nanguo Hongdou, 2016 (04).

Yu Tao. Inheriting opera must first appreciate the beauty of opera [N]. Gansu Daily, 2015-12-16

ZHAO LUWANG.A Probe into the Historical Value of Dunhuang Qici [J].New West, 2019 (11).

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Published

1 March 2023

Issue

Section

Articles

How to Cite

Bai, Y. (2023). Aesthetic Research of Dunhuang Intangible Cultural Heritage: Take the Dunhuang Tune and Opera as An Example. International Journal of Education and Humanities, 7(2), 144-147. https://doi.org/10.54097/ijeh.v7i2.5565