Study on the Presentation of China's National Image in the Opening and Closing Ceremonies of Hangzhou Asian Games from the Perspective of Semiotics

Authors

  • Yi Jiang
  • Nuo Chen
  • Haibo Wang
  • Rui Lu

DOI:

https://doi.org/10.54097/2sjrvw82

Keywords:

Hangzhou Asian Games, Semiotics, International Communication.

Abstract

In the presentation of international image, shaping the country with the help of the language of cultural symbols has also become an important way of cross-cultural communication in today's era. The Hangzhou Asian Games has become a widely acclaimed event both at home and abroad, and one of its essences lies in the fact that it has skillfully borrowed many cultural symbols with consensus, realizing a high state of dialogue in the international communication arena.

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References

[1] Li Haijun. Research on the communication of the opening ceremony of Beijing Winter Olympic Games on China's national image under the perspective of semiotics theory[D]. Wuhan Institute of Physical Education,2024.

[2] Fu Xinyi. Study on Hangzhou Asian Games City Promotional Film under the Perspective of Cultural Discourse--Taking "Getting the Tide" and "Asian Games Go Hangzhou" as an Example[J]. Journalism Research Guide,2024,15(18):41-45.

[3] LI Mengtao, LIANG Xiaofeng. Optimization of Sports News Reporting Based on Framing Theory--Taking "CCTV Sports" Microblog Reporting on Hangzhou Asian Games as an Example[J]. News Communication,2024,(19):51-54.

[4] Diyunfei,Ding Cong. Generative Logic and Communication Effect:An Analysis of the BGM "Out of Circle" Phenomenon in the Asian Games[J]. All-Media Exploration,2024,(10):120-1.

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Published

13-11-2024

Issue

Section

Articles

How to Cite

Jiang, Y., Chen, N., Wang, H., & Lu, R. (2024). Study on the Presentation of China’s National Image in the Opening and Closing Ceremonies of Hangzhou Asian Games from the Perspective of Semiotics. International Journal of Education and Social Development, 1(1), 56-61. https://doi.org/10.54097/2sjrvw82