Analyzing the Narrative Logic of South Korean Director Bong Joon-ho's Films as the Metaphor of Reality and Society

Authors

  • Youyou Wu

DOI:

https://doi.org/10.54097/ehss.v18i.11003

Keywords:

Bong Joon-ho, visual symbolism, semiotics, surrealism, realism, Korean director.

Abstract

Korean director Bong Joon-ho uses film as a language, everyday life as a narrative, and reality as a metaphor to portray Korean society and even address global issues transcending the Korean context.The author attempts to analyze Bong Joon-ho's distinctive and skillful cinematic metaphors through a semiotic and archaeological approach.

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References

Liu, S. (2020). Temporal Metaphor in "Memories of Murder." Prosecution Wind and Cloud, (1), 1. (In Chinese).

Hu, X. (n.d.). A Study on the Film Creation of Korean Director Bong Joon-ho from the Perspective of Film Semiotics (Unpublished master's thesis). Northwest Normal University. (In Chinese).

Sun, Q. (n.d.). A Study on the Film Creation of Korean Director Bong Joon-ho (Unpublished master's thesis). Hunan Normal University. (In Chinese).

Duan, P. (2020). Space and Power: Class Barriers in the Background of the Digital Divide—A Discussion on the Spatial Narrative Logic of the Film "Parasite." Contemporary Cinema, (04), 78 - 82. (In Chinese).

Zhang, H. (2007). "The Host": Box Office Miracle and Korean Narrative. Book City, (04), 107-111. (In Chinese).

Mills, C. W. (2004). The Power Elite. Nanjing University Press. (Original work published in 1956). Note: The titles and authors of the references are translated into English for convenience, but the publications themselves are in Chinese.

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Published

11-08-2023

How to Cite

Wu, Y. (2023). Analyzing the Narrative Logic of South Korean Director Bong Joon-ho’s Films as the Metaphor of Reality and Society. Journal of Education, Humanities and Social Sciences, 18, 249-254. https://doi.org/10.54097/ehss.v18i.11003