Gendered Perspective and Tragicomic Anticipation in Shakespeare's King Lear
DOI:
https://doi.org/10.54097/ehss.v23i.13108Keywords:
Gendered Perspectives, Tragicomedy, Shakespeare, King Lear, Characterization, Themes, and Narration.Abstract
This essay examines unexpected tragicomic elements in Shakespeare's "King Lear". Traditionally viewed as a tragedy, "King Lear" features moments of redemption that blur genre boundaries. Drawing on Northrop Frye's insights and analyzing plays like "The Winter's Tale" and "Measure for Measure", the study highlights the pivotal roles of female characters in influencing the trajectory of their male counterparts. Such intersections suggest "King Lear" not only embodies tragedy but also incorporates reconciliatory aspects of tragicomedy, enriching its narrative depth and complexity.
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References
Said, Edward W., Erich Auerbach, and Willard R. Trask. "Mimesis: The Representation of Reality in Western Literature." (2003).
Alighieri, Dante. "The Divine Comedy: Inferno, trans. by Mark Musa." (2003): 31-48.
Frye, Northrop. Northrop Frye on Shakespeare. Yale University Press, 1988.
Shakespeare, William. King lear. Vol. 5. Classic Books Company, 2001.
Shakespeare, William. "Measure for measure." One-Hour Shakespeare. Routledge, 2019. 85-149.
Shakespeare, William, William Shakespeare, and M. Lindsay Kaplan. The merchant of Venice. Palgrave Macmillan US, 2002.
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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
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