Comparative Representation of the Difficulties of Sexual Minorities in 20th-Century Films

Abstract

This paper delves into the challenges experienced by the LGBTQ+ community through the lenses of two films, Midnight Cowboy and Rent. Using textual analysis, visual analysis, and comparative studies, this paper explores the filmmakers’ perspectives on sexual minorities from 1969 to 1996. By employing a comparative approach, this paper seeks to identify similarities and differences in the portrayal of challenges faced by LGBTQ+ individuals in both films from three perspectives: disease, poverty, and dreams. It seeks to figure out the relationship between cinematic expression and real society. This analysis deepens the understanding of social, economic, and health-related factors that contribute to the marginalized status of this community. The findings emphasize the importance of addressing these challenges through awareness, policy changes, and social activism to create a more inclusive and equitable society for all individuals, regardless of sexual orientation. Through this essay, it is hoped that the characteristics of gay-themed films of the last century can be better condensed thus promoting the gay movement in the present and the future.