Representation, Inter-construction, Production: Feminist Theory and Practice in Chinese Urban Films
DOI:
https://doi.org/10.54097/ehss.v3i.1553Keywords:
feminism; urban film; gender politics.Abstract
As a social trend of thought, feminism can be directly expressed through social movements, and it can also be appropriately spread through the media through art. As a theory and practice, feminism has an intriguing relationship with art, media and reality. This paper examines the theory and practice of feminism in film, and discusses the dimensions of screen space, media space, and real space, including the emergence of female consciousness, the construction of gender politics, and the new pattern of female discourse space, that is, to examine representation, mutual construction and production status.
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References
Dai Jinhua. Invisible Writing: A Study of Chinese Culture in the 1990s, Peking University Press, 2018, p.7.
Sun Yanan. "A Rational Examination of Female Consciousness Expression from the Perspective of Gender Politics: Taking "Carnival" as an Example", "Drama House", No. 12, 2019, p. 95.
Yang Juhua. "Gender-motherhood double taxation" and gender differences in labor market participation, Population Research, No. 1, 2019, p. 37.
Wu Huamei. Criticism of Cyborg Feminism in Network Society, Contemporary Foreign Marxism Review, No. 11, 2016, p. 232
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