The Research on Jades: Artistic Exchanges Between East Asia and Central Asia Along the Silk Road During the Western Liao Dynasty

Authors

  • Mingjun Song

DOI:

https://doi.org/10.54097/a33bgn86

Keywords:

Qara Khitai; jade; artistic exchange; central Asia.

Abstract

The Silk Road, a historical network of trade routes connecting East Asia to Central Asia, the Middle East, and Europe, facilitated profound cultural exchanges, including the transfer of artistic concepts and creations. The Western Liao dynasty (Qara Khitai), reigning from 1124 to 1218 over territories including present-day Xinjiang, marked an era of significant political and cultural importance. During this period, a unique artistic style emerged, seamlessly blending Chinese and Central Asian influences. This paper investigates the artistic interactions between China and Central Asia during the Silk Road and the Western Liao dynasty era. We explore to what extent the Silk Road and the Western Liao dynasty facilitated these interactions, pinpointing contributing factors and examining their impact on art evolution. The analysis includes three cases of jade ware. In conclusion, this study demonstrates that the artistic interactions between China and Central Asia during the Western Liao dynasty had a profound impact on both regions, leaving an enduring legacy. It underscores the interconnectedness of civilizations along the Silk Road and highlights the universal language of art, transcending boundaries to foster mutual understanding and cooperation. By exploring this shared history through art, we deepen our appreciation for the power of artistic expression to bridge gaps and connect diverse cultures across time and space.

Downloads

Download data is not yet available.

References

Andrea, A.J. The Silk Road in World History: A Review Essay.2014.

Biran, M. Unearthing the Liao Dynasty’s Relations with the Muslim World: Migrations, Diplomacy, Commerce, and Mutual Perceptions. Journal of Song-Yuan Studies, 2015, 43, 221-251.

Elverskog, J. The Empire of the Qara Khitai in Eurasian History: Between China and the Islamic World. By Michal Biran. Cambridge: Cambridge University Press, 2005. The Journal of Asian Studies, 66(1), 236-238. doi:10.1017/S0021911807000265

Wong, L. Review of Mural Painting of the Silk Road: Cultural Exchanges between East and West, by K. Yamauchi, Y. Taniguchi, & T. Uno. Studies in Conservation, 2009, 54(4):279-281. http://www.jstor.org/stable/27867101

Melikian Chirvani, A. S. Precious and Semi-Precious Stones in Iranian Culture Chapter I. Early Iranian Jade. Bulletin of the Asia Institute, 1997,11:123-173. http://www.jstor.org/stable/24049117

Xu, X. The mutual impacts of Sino-Islamic Jade Carving Art during the 13th to 17th Centuries. Palace Museum Journal, 2015,1:55-69.

Li Chi Ch'ang. Travels to the West of Qiu Changchun. Bigfontbooks.2023.

Biran, M., Shenkar, M., Tabaldiev, K., Akmatov, K., & Kolchenko, V. The Kök-Tash underground mausoleum in north-eastern Kyrgyzstan: The first-ever identified Qara Khitai elite tomb? Journal of the Royal Asiatic Society,2023, 33(3):713-745. doi:10.1017/S1356186322000621.

Yan, X. Mythical Mushrooms: Hybrid Perspectives on Transcendental Matters. Leonardo, 2022,56: 367-373.

Song, H. Main characters and cultural artistic style of jade articles made in Song dynasty of China.2009.

Downloads

Published

31-12-2023

How to Cite

Song, M. (2023). The Research on Jades: Artistic Exchanges Between East Asia and Central Asia Along the Silk Road During the Western Liao Dynasty. Journal of Education, Humanities and Social Sciences, 24, 704-709. https://doi.org/10.54097/a33bgn86