"The Sun Shadow IV" Breaks the Musical Language, Artistic Interest and Universal Technical Techniques of Guzheng Composition.
DOI:
https://doi.org/10.54097/43hzn932Keywords:
Zither composition; traditional zither music; modern zither music; new sound.Abstract
This paper mainly describes the development of the expression of traditional zheng music in China. Since the1980s, and particularly in the 21st century, Chinese composers have emerged as a significant force in the global music industry. Qin Wencheng, as one of the most influential contemporary composers, has successfully blended elements of Mongolian music with Western modern compositional techniques, resulting in his unique artistic style and sonic experiences. This research paper focuses on his composition "Shadow of the Sun IV" and aims to analyze the creation of new sounds and the logical structure within the piece. Furthermore, it seeks to elucidate the influence of Chinese aesthetic concepts on Qin's musical compositions, uncovering his distinctive creative techniques and musical ideas. Additionally, this paper provides an analysis and interpretation of the historical significance and position of Qin Wencheng within the development of modern Chinese music. By delving into the depths of the musical score and exploring the connections between the internal and external aspects of the music, this study aims to establish a broader understanding of contemporary music composition and offers valuable insights for both composers and music analysts.
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