Effectiveness Of Contemporary American Documentary as The Media to Promote Female Empowerment

Authors

  • Qinxuan Zhou

DOI:

https://doi.org/10.54097/n2s67w04

Keywords:

Feminist documentary; female image; women empowerment.

Abstract

Nowadays, with the development of the women's rights movement and raised awareness of the importance of gender equality, feminist documentaries have more diversified forms of expression and more inclusive themes, focusing more on the living conditions and spiritual world of women groups. It is of great research value and significance to see how contemporary documentaries portray the image of women and reflect the current state of women's spirits and social status. The main objective of this research is to analyze how contemporary feminist documentaries convey their messages of empowering women and dissect some social issues that women are confronting. Examples of documentary types analyzed in this study include expository, observational, and biographical documentaries, and the analysis involves three aspects of documentary which are persona construction, narrative style, and audiovisual language. By comparing and contrasting the different techniques and perspectives used in different documentaries based on existing theories and case studies, it is concluded that showing the female speaker as authoritative and unbiased, as well as presenting the story from the first-person perspective, paired with an omniscient narrative style, can effectively represent the modern documentary's advocacy of women's independence and empowerment.

Downloads

Download data is not yet available.

References

Schiappa E. Beyond representational correctness: Rethinking criticism of popular media. Suny Press, 2008.

Pérez-Escolar M, Cortés-Selva L. Strengthening women empowerment through i-docs: Alternative forms of participation and civic engagement in the feminist movement. Catalan Journal of Communication & Cultural Studies, 2020, 12(2), 255-271.

Zheng X. Research on the shaping of female images in the new era in humanistic documentaries. Jinan: Shandong Normal University, 2023.

French L. Women documentary filmmakers as transnational “advocate change agents”. Inter Disciplina, 2019, 7(17), 15-29.

Cornwall A. Women's empowerment: What works? Journal of International Development, 2016, 28(3), 342-359.

Horne V. Losing ground? Third Text, 2017, 31(1), 67–78.

Rogers P A. Aesthetic learning: an exploration of a radical aesthetic in feminist documentary film. British Columbia: University of British Columbia, 1996.

Liu S. A study of the narrative perspective of female character documentaries based on the personal work Springtime. Guangzhou: Guangzhou University, 2023.

Yuan F. The research on female consciousness in Chinese female documentaries. Jilin: Northeast Normal University, 2011.

Black E. The second persona. Landmark essays on rhetorical criticism. Routledge, 2020, 161-172.

Campbell K K. The rhetoric of women's liberation: An oxymoron. Quarterly Journal of Speech, 1973, 59(1), 74-86.

Yang Y. Research on character image building in character documentary. Chongqing: Chongqing University of Posts and Telecommunications, 2021.

Liu Y. Narrative study of Chinese feminist documentary films: Taking the works of female directors of the new documentary movement as an example. Qufu: Qufu Normal University, 2018.

Skopeteas I. Documentary genres. Criteria and dominant theories. International Conference on Cultural Informatics, Communication & Media Studies, 2020, 1(1).

Downloads

Published

01-04-2024

How to Cite

Zhou, Q. (2024). Effectiveness Of Contemporary American Documentary as The Media to Promote Female Empowerment. Journal of Education, Humanities and Social Sciences, 28, 684-690. https://doi.org/10.54097/n2s67w04