Wagner's Leitmotif Technique in 20th Century Chinese Opera: A Case Study of "The White-Haired Girl"

Abstract

"The White-Haired Girl" stands as a classic in Chinese opera, garnering widespread attention for its profound themes, unique national style, and distinctive era-specific backdrop. Academic research on "The White-Haired Girl" often focuses on its cultural significance, artistic features, and its status in the history of Chinese opera development. However, there is a scarcity of studies examining the work from the perspective of the application of Wagner's leitmotif technique. Wagner's operatic ideas and his leitmotif technique set new standards for the integration of opera music and drama, significantly influencing the development of later operas. How "The White-Haired Girl" employs similar techniques, and the effects thereof is a question worth exploring. An in-depth analysis of the musical composition of "The White-Haired Girl" reveals Wagnerian influences in the combination of music and drama and the use of leading motifs. The development of its musical themes and symphonic concepts aligns with Wagner's artistic vision, particularly in the use of leitmotifs, which not only reflect the psychological states of the characters and the dramatic emotional shifts but also drive the plot forward. As an important means of integrating music and drama, the application of leitmotif technique in "The White-Haired Girl" demonstrates how Chinese opera creators have combined Western operatic techniques with Chinese cultural elements to create an opera art form with distinctive Chinese characteristics.