Study on Poetic Narrative in the Chinese Poetry Art Film "Kaili Blues"

Abstract

The evolution of Chinese cinema has witnessed the emergence of innovative narrative forms, exemplified by Bi Gan's "Kaili Blues." Released in 2015, this film captivated audiences with its rich poetic imagery and innovative storytelling techniques. This research explores the poetic narrative employed in "Kaili Blues," aiming to elucidate its artistic significance within the context of contemporary Chinese filmmaking. Through a comprehensive analysis of the film's narrative style, visual expression, and emotional resonance, this study delves into how poetic storytelling transcends traditional narrative conventions, blurring the boundaries between dreams and reality. The examination reveals that "Kaili Blues" utilizes a poetic narrative characterized by the attenuation of dramatic conflicts, the portrayal of objective phenomena in life, and the use of metaphorical spatial constructions. Moreover, the study uncovers a distinct difference in the "epic sense" between Chinese poetic narrative and European and former Soviet poetic cinema, highlighting the film's unique contribution to the global cinematic landscape. Ultimately, this research contributes to a deeper understanding of the aesthetic sensibilities of contemporary Chinese cinema and its broader implications for cinematic storytelling worldwide.