National Image Construction in Gogol and Lu Xun’s Literary Creation from the Perspective of Imagology

Authors

  • Yitong Yan

DOI:

https://doi.org/10.54097/ehss.v4i.2713

Keywords:

Iconography, national image, dead soul, diary of a madman.

Abstract

Gogol and Lu Xun, as the famous realist writers in Russia and China respectively, enjoying a high status and reputation in the literary circles. At the same time, Lu Xun’s literary creation was deeply influenced by Gogol, which is evident in Lu Xun' translation of Gogol’s book "Dead Souls" and the creation of the novel "The Diary of a Madman" of the same name. This provides an opportunity to study the interoperability of the two literary creations from the perspective of comparative literature. In the category of comparative literary imageology, this paper starts from the two aspects of the explicit narrator, the literary work, and the implicit narrator, the national ideology, and explores the construction process of the national image in the interactive relationship between the "self" and the "other".

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References

Lu Xun. Bringing Doctrine [M]. Sichuan People's Publishing House, 2017.

Lu Xun. Qijieting essays [M]. Beijing: People's Literature Publishing House, 2006: 21.

Hu Kaibao, Meng Lingzi. Critical Translation Studies: New Progress in Translation Studies [J]. Foreign Languages, 2017, 40(6): 57-68.

Timofeyev. On the concept of people's nature [J]. Language Learning, 1956, (7).

Gogol. Dead Souls [M]. Man Tao and Xu Qingdao, translated. Beijing: People's Literature Publishing House, 2018.

Gogol. Dead Souls [M]. Lu Xun, translated. Guangdong: Huacheng Publishing House, 2014.

Lu Xun. The Complete Works of Lu Xun [M]. Beijing: People's Literature Publishing House, 1981: 204.

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Published

17-11-2022

How to Cite

Yan, Y. (2022). National Image Construction in Gogol and Lu Xun’s Literary Creation from the Perspective of Imagology. Journal of Education, Humanities and Social Sciences, 4, 1-6. https://doi.org/10.54097/ehss.v4i.2713