A Study of Animal Narration in Mo Yan's Life and Death Fatigue
DOI:
https://doi.org/10.54097/wjznv957Keywords:
Mo Yan's; “Life and Death Fatigue”; animal narrative.Abstract
Mo Yan masterfully employs the distinctive narrative device of animal perspective throughout "Life and Death Fatigue," which endows the novel with a rich tapestry of profound content and distinctive formal qualities. This innovative approach transcends the traditional narrative constraints that confine the narrative voice to human experiences, and instead, it crafts a literary realm that oscillates between the realms of reality and surrealism. By bestowing animals with human-like rationality and insight, while simultaneously preserving their intrinsic animalistic instincts and irrational behaviors, Mo Yan creates a multifaceted narrative that challenges and expands the boundaries of storytelling. This article aims to delve into the intricacies of the animal narrative within the book and to further investigate the metaphorical depth that the author conveys through his portrayal of animals.
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References
[1] Mo Yan. Life and Death Are Wearing Me Out [M]. Beijing: Writers Publishing House, 2012.
[2] Peng Yuan. The Animalistic Magical Realism Narration in Mo Yan’s Life and Death Are Wearing Me Out [J]. Central Plains Literature, 2024, (02).
[3] Zhang Yiyi. The Relationship Between Humans and Animals in Life and Death Are Wearing Me Out from a Carnival Perspective [J]. Literature Education (Upper), 2023, (04).
[4] Zhu Chao. Animal Representation in Mo Yan’s Works: A Case Study of Life and Death Are Wearing Me Out [J]. Grand View (Forum), 2020, (05).
[5] Chen Jiaji & Xiong Yaojie. Humanity, Animality, and the Imagination of Rural China: “Animal Narration” in Mo Yan’s Novels [J]. Journal of South China Normal University (Social Science Edition), 2019, (03).
[6] Fei Lijun. The Grotesque Writing and Value of Mo Yan’s Novels [D]. Yanbian University, 2012.
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