Study on coping strategies for the film industry under the challenge of multiculturalism
-- Taking Skirt Day as an example
DOI:
https://doi.org/10.54097/ehss.v5i.2979Keywords:
Film industry, Multi-cultural challenge, The Skirt DayAbstract
In the modern day, films are used in various ways in the society. The films play an important role in the society as they attempt to pass a message to the audience. A successful film is said to have conveyed the intended message to its audience. A film can be interpreted in various ways depending on the viewer’s beliefs and values based on the subject of the film. In the post-WWII European films, multi-cultural interaction makes all kinds of film producers and actors transcend national boundaries in film creation and theme expression, which promotes the film itself to some extent, but at the same time they are faced with multi-cultural challenges. This essay will take study on the coping strategies for the film industry under the challenge of multiculturalism and the film of Skirt Day is selected as an example.
Downloads
References
Barbash, I., & Taylor, L. (1997). Cross-cultural filmmaking: A handbook for making documentary and ethnographic films and videos. Univ of California Press.
Bhandar, Brenna. "Joan Wallach Scott: The Politics of the Veil." Feminist Legal Studies 17, no. 3 (2009): 345-51.
Mette Hojort. (n.d) On the Plurality of Cinematic Transnationalism.
Print.New York Times (2010). Skirt Day. Movies.
Roell, C. (2010). Intercultural Training with Films. In English Teaching Forum
"US Department of State: Bureau of Educational and Cultural Affairs Partnership with Carnegie Hall Connects Music Students in New York City with Peers in Istanbul, Turkey." M2 Presswire (Coventry), 2008.
Cultural Affairs, Office of English Language Programs, SA-5, 2200 C Street NW 4th Floor, Washington, DC 20037.
Screen Daily (2009) The skirt. 2010.
Elley, Derek. "Skirt Day." Variety 414, no. 2 (2009): 20.
Weakland, J. H. (1995). Feature films as cultural documents. Principles of visual anthropology, 45-67.
Sölter, Arpad-Andreas. "Festival Circus, Golden Gnomes and Cultural Diplomacy. The Audi Festival of German Films in the Context of Multicultural Festivals in Australia." Studies in Australasian Cinema 9, no. 2 (2015): 190-204.
Yue, Audrey. "The 'Diaspora Advantage' of Pauline Chan (1956-): From Multicultural Filmmaker to Cultural Broker." Culture, Theory and Critique 59, no. 2 (2018): 158-77.
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.