The Analysis of the Vision of the Sermon: A Comparative study on Gauguin's relationship with Symbolism and Fauvism
DOI:
https://doi.org/10.54097/ehss.v1i.676Keywords:
Paul Gauguin, Symbolism, Fauvism.Abstract
Paul Gauguin is one of the three masters of post-impressionist painting school. The Vision of the Sermon is a landmark work of Gauguin in the process of artistic creation, which was created during Gauguin's sketching on the Brittany peninsula. It is through the completion of this work that Gauguin is known as the "founder of symbolism". Through the image analysis of the Vision of the Sermon, this paper summarizes and compares Gauguin's painting characteristics with symbolism and fauvism. Combined with scientific literature research, we can better understand Gauguin's artistic characteristics and his thinking on art and life. Symbolism and fauvism all have many common skills and characteristics with Gauguin and have a close relationship with each other. Through research, we can comprehensively and objectively analyze the connotation of Gauguin's illusion after his sermon, understand Gauguin's painting style and ideas, and witness Gauguin's influence on other painting schools and their position in the history of art.
Downloads
References
Redford D B. A study of the biblical story of Joseph: (Genesis 37-50) [M]. Brill Archive, 1970.
Rogal S J. A William Somerset Maugham Encyclopedia [M]. Greenwood Publishing Group, 1997.
Morris S. An Australian declaration of recognition: The case for semi-entrenched symbolism [J]. Melbourne University Law Review, 2020, 44(1): 267-313.
Shi Chaoyang. Form and color imagination: talk about the interesting points in Gauguin, Matisse, and Modigliani's works and their commonness and individuality [J]. Journal of Jinzhong Teachers College, 1990, (01): 99-102.
Tong Jinghan, Zhang Gan. The second volume of European art history in the 19th century[M]. Beijing, China Renmin University Press, 2004.
Pierre J. Symbolic Art [M]. Beijing First People's Literature Publishing House, 1988.
Li Ling. Dream and reality: Jacob wrestling with the angels [J]. World religious culture, 2000, (02): 37-40.
Liu Xianbiao. Decoration in Gauguin's painting art [J]. Hundred artists, 2010, 26(S2): 237-240
Francoise Garcia. Gauguin - the Wild in my Heart [M]. Translated by Liao Sushan, Shanghai Translation Publishing House, 2004, 10.
Paul Gauguin. Gauguin's Letter to his Wife and Friends [M]. Oriental publishing house, 2001, 12.
Arnesen, History of Western Modern Art [M]. Tianjin People's Art Publishing House, 2008.
Jack de Fram, Matisse on Art [M]. Jinan.Shandong Pictorial Publishing House, 2004.
Rodin A, Rodin's Theory of Art [M]. Tianjin Social Science Press, 2005.
Frank M, Wang Mingyuan. Oriental colors in Matisse's paintings [J]. World Art. 1984.
Gauguin. Gauguin Art Slips [M]. Beijing, Beijing Jincheng publishing house, 2011.
Stangos N. Concept of Modern Art From Fauvism to Postmodernism [M]. Thames and Hudson, New York, Thames and Hudson, 1994.
John. G F, Gauguin, his life and art [M]. Beijing Peking University Press, 2009.
Zhu Hongan. The embodiment of the value of traditional art -- an analysis of the painting art of Van Gogh and Matisse [J]. China Academy of fine arts, 2008.
Alfred A K. Matisse, The Master [M]. Hilary Spurling, New York, 2007.
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.






