A Brief Analysis of Music Art of the Chinese Shadow Puppetry in Tangshan City
DOI:
https://doi.org/10.54097/ehss.v14i.8920Keywords:
Tangshan Shadow Puppetry, Music, Art, Theoretical researchAbstract
Tangshan Shadow Puppetry is a prominent and widely-influential genre of traditional Chinese drama that has gained immense popularity in the regions of eastern Hebei province and the three northeastern Chinese provinces. Its unique music artistry holds a significant and integral position in the art form, serving as a cornerstone of the performance. This paper conducts a comprehensive analysis of the historical development of Tangshan Shadow Puppetry's music, including its vocal styles, lyrics, accompanying instruments, and the crucial inheritance of its musical artistry, in order to contribute to the theoretical understanding of the artistic heritage and development of Tangshan Shadow Puppetry music.
Downloads
References
Wei Liqun. A History of Chinese Shadow Puppetry. Beijing: Wenwu Publishing House, 2007.
Wei Liqun. Jidong Shadow Puppetry. Beijing: Science Press, 2009.
Liu Rongde, Shi Yuzhuo. An Introduction to the Music of Leting Shadow Puppetry. Beijing: People's Music Publishing House, 1991.
Jiang Liming. "A Study on the Music Culture of Tangshan Shadow Puppetry". Hebei University, China, 2007.
Cao Peipei. A Study on the Artistic Style of Tangshan Shadow Puppetry. Tianjin Conservatory of Music, 2012.
Zhang Jun. A Study on Luanzhou Shadow Play. Zhengzhou: Daxiang Publishing House, 2010.
Hou Qiuwan. "A Study on the Singing Techniques of Jidong Shadow Play". Chongqing Normal University, China, 2019.
Le Lei. Music of Heilongjiang Shadow Puppetry. Harbin: Heilongjiang People's Publishing House, 2004.
Zhen Huixia. "The Dissemination and Development of Tangshan Shadow Puppetry Art". Art Education Research. Vol. 14, 2018.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
