Analysis of Aesthetic Features of Official Kilns in Song Dynasty

Abstract

The Chinese Porcelain art burgeoned during the Song Dynasty, particularly under emperor Huizong’s rule. Within the era, the official kiln was known for its exquisite quality and the fascinating philosophical thoughts underpinning the art pieces’ unique aesthetic features. This paper analyzes and portrays the aesthetic outlooks of the official kilns, examining the philosophy, form, textures, colors, production details, and the influences of the art. Sources of the analysis will be derived from different literature, including Mandarin and Western. The findings of this paper suggest that the Celadon art, particularly the official kiln, is an art form that stems from the particular political situation of the Song era, with the art form’s development comprised of the combined intellectual thoughts of the Song artists and literati. In addition, not only has the official kilns evolved from its previous art forms, which originated as early as the Han Dynasty but also carried on its influences on future art forms even until the modern period.