‘Man’ and Western Arts

Authors

  • Suxuan Shi

DOI:

https://doi.org/10.54097/ehss.v15i.9251

Keywords:

Man; Western Arts; freedom.

Abstract

The history of Western artworks shows that the concept of human being has been evolving, from the Middle Ages to the Renaissance and then to the Enlightenment. During the Enlightenment, humans gradually learned what they wanted and sought their own freedom. However, the emphasis on humanism in the Enlightenment ignored women, slaves, and non-white races, which had its limitations.

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References

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures, c. 1785.

Buck-Morss, S. (2009). Hegel, Haiti, and Universal History. University of Pittsburgh Pre.

Crosson, J.B. (2021). Humanism and Enlightenment. In The Oxford Handbook of Humanism. New York: Oxford University Press.

Delacroix, Liberty Leading of People, 1830.

Israel, J. and Israel, J.I. (2013). Democratic Enlightenment: Philosophy, Revolution, and Human Rights 1750-1790. Oxford University Press.

James, C.L.R. (1989). The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution. Vintage.

Knight, F.W. (2000). The Haitian Revolution. The American Historical Review, 105(1), pp.103-115.

Leonardo da Vinci, Monna Lisa, 1503-1507.

Locke, J. (1847). An Essay Concerning Human Understanding. Kay & Troutman.

Mazzotta, G. (1993). The Worlds of Petrarch (Vol. 14). Duke University Press.

Mintz, S. (1965). The Caribbean as a Socio-cultural Area. Cahiers d'Histoire Mondiale. Journal of World History. Cuadernos de Historia Mundial, 9(1), p.912.

Mosaic, Cathedral of Monreala, Palermo.

Rousseau, J.J. (2018). Rousseau: The Social Contract and other Later Political Writings. Cambridge University Press.

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Published

13-06-2023

How to Cite

Shi, S. (2023). ‘Man’ and Western Arts. Journal of Education, Humanities and Social Sciences, 15, 190-194. https://doi.org/10.54097/ehss.v15i.9251