Study of the Adaptation of Gospel Music

-- A Case Study in "Praise, Praise, Jesus" and "The River of Life"

Authors

  • Yunzhen Cai

DOI:

https://doi.org/10.54097/rkhyd045

Keywords:

Gospel Music, Praise Praise Jesus, River of Life, Adapted Music

Abstract

This paper adapts two Gospel songs, "Praise, Praise Jesus" and "The River of Life," by incorporating elements of traditional Yunnan music to localize them. The paper first discusses the definition of Gospel music. Secondly, it expounds on the background and music analysis of the two songs. Thirdly, considering the people's cognition of Gospel music in Yunnan, the paper adapts “Praise, Praise Jesus" and “The River of Life" in combination with the characteristics of Yunnan traditional music. Finally, interviews are conducted with different groups to understand their comments on the adapted songs. This paper tries to increase the spread of Gospel music and improve people's cognition of Gospel music by adapting it locally.

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References

[1] Warrick, Marcel., Hillsman, Joan R., and Manno, Anthony. The Progress of Gospel Music from Spirituals to Contemporary Gospel. New York: Vantage Press, 1977, p86.

[2] Yu Jia, Research on the Development and Characteristics of African-American Gospel Music, Henan University,2013.

[3] McNeil, W. K. Encyclopedia of American gospel music. London: Routledge, 2015.

[4] Lincoln, C. Eric and Mamiya, Lawrence H. The Black Church in the African American Experience, Durham and London: Duke University Press, 1990, p330.

[5] Wei Bo. Gospel Music, Music World,2005(09):60.

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Published

27-02-2025

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Section

Articles