Aesthetic Features of Chinese Freehand Painting from the Perspective of Art History

Linlin Xu

doi:10.54097/hiaad.v3i3.10824

Aesthetic Features of Chinese Freehand Painting from the Perspective of Art History

Authors

Linlin Xu

DOI:

https://doi.org/10.54097/hiaad.v3i3.10824

Keywords:

Chinese Freehand Brushwork, Art History, Aesthetic Features

Abstract

Chinese freehand painting still has distinctive aesthetic characteristics even today when culture and art coexist and cognition. Understanding the aesthetic expression of Chinese freehand painting from the perspective of art history is conducive to a deeper understanding of freehand painting, thus providing guidance for contemporary art creation and innovation.

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References

Han Lu. Rethinking of Chinese Freehand Painting [J]. Fine Art Grand View, 2018, (07): 20-29.

Wang Zhuowen. Formation and Characteristics of Literati Freehand Painting [J]. Art Hundred Schools, 2008 (4 ): 243-244.

Chen Yu. Freehand oil painting and the spirit of Chinese traditional culture [J]. Beauty and Times, 2021, (08): 19-19.

Hong ZaiXin, History of Chinese Art[M].HangZhou,2000,(12).

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Published

17-08-2023

Issue

Vol. 3 No. 3 (2023)

Section

Articles

License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

Xu, L. (2023). Aesthetic Features of Chinese Freehand Painting from the Perspective of Art History. Highlights in Art and Design, 3(3), 5-7. https://doi.org/10.54097/hiaad.v3i3.10824