Ancient for the Present: Analyzing Traditional Cultural Elements and Unique Modernity in Contemporary Animation Films
DOI:
https://doi.org/10.54097/hiaad.v3i3.11184Keywords:
Component, Chinese Animation Film, Chinese Traditional Culture, Modern CivilizationAbstract
Entering the 21st century, as global cultures entered a new stage of intermingling, Chinese animation also rode the fast train of the times into a new stage of development, in which Chinese animation pushed the boundaries, from characterization to the cultural core of the story background, Chinese animation emerged as modernity culture wrapped in traditional Chinese culture, the two complement each other and together contribute to the narrative of storytelling expression. This paper takes a typical Chinese animated film between 2016-2023 as the object of study, and conducts theoretical research on Chinese traditional culture and the unique culture of modernity in animation narrative.
Downloads
References
Huang, H. Jin, L. (2023) Research on global communication innovation path of Chinese and foreign film and television IP. Media Forum, 11:3-7+29.
Cheng, J. (1981) History of Chinese Film Development. China Film Publishing House, Beijing.
Mi, N. (2022) The development of Chinese animation from the perspective of computer technology. Media Forum, 01:22-24.
Shang, H. (2023) Interpretation of the domestic animated film "New Gods: Yang Jian" from the perspective of semiotics. Modern and ancient literary creation, 171(27):97-99.
Lin, Z., Jin, X. (1997) A Compendium of Overseas Reading. China Friendship Publishing Company, Beijing.
Ding, H. (2023). Exploration of visual presentation of intangible cultural heritage information - Dongzhi Lantern as an example. Journal of Suihua College, 43(06):87-89.
Douding. (2018) Ode to The Lotus lower. https:// www. docin. com/p-2097469659.html.