Artistic Language Comparison between Ming Qing Freehand Flower and Bird Painting and Contemporary Freehand Flower and Bird Painting

Abstract

This paper reveals the differences and connections between the artistic expression and creative concepts of the Ming and Qing dynasties by comparing the artistic languages of the Ming and contemporary realistic flower and bird paintings. The pictorial flower and bird paintings of the Ming and Qing dynasties emphasize traditional techniques such as color, composition, line and brushwork, highlighting the profound poetry and mood. By analyzing the works of artists such as Zhu Da and Zheng Banqiao, these works unite their admiration for nature and reflection on life. In contrast, contemporary realistic flower and bird paintings are infused with more modern elements based on tradition, using bold colors, compositions and lines, and emphasizing individuality and creativity. The creations of artists such as Xu Beihong and Wu Guanzhong highlight their unique interpretations of contemporary society and personal emotions. The contrast between the Ming and the Qing Dynasties and the Contemporary not only highlights the differences in artistic language, forms of expression, and creative philosophies, but also the commonalities between the two periods in terms of innovation and personal expression. As an inheritance of traditional culture and an extension of contemporary art, the ideographic flower and bird painting will continue to show its unique charm in future creations.