On the Nationalized Artistic Creation under Marxist Theory of Literature and Art

Authors

  • Shuchun Hou

DOI:

https://doi.org/10.54097/hiaad.v3i3.11250

Keywords:

Literary and Artistic Theory, Nationalization, Artistic Creation

Abstract

Marxist theory of literature and art is a theoretical result of in-depth analysis and examination of literary and artistic phenomena on the basis of practical materialism philosophy and the basic principles of aesthetics. It is not only a profound revelation of the nature and law of art, but also an advanced theoretical thought with distinct national characteristics and times characteristics, which plays an important role in promoting the prosperity of literature and art. From the perspective of Marxist literature and art theory, this paper summarizes the close connection between nationalized creation and Marxist literature and art theory, and provides a beneficial exploration for the better development of future artistic creation through the in-depth study of China's traditional excellent national spirit and culture.

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References

Jiao Hui. Study on the Nationalization of Chinese Piano Creation from the Perspective of Marxist Literature and Art Theory [D]. Shanxi University of Finance and Economics, 2011.

Wu Wenzhi. On the Nationalization of Marxist Theory of Literature and Art [J]. Studies in Literature and Art Theory, 1985 (2): 61-68.

Du Yufang. Hu Qiaomu's Persistence and Development of Marxist Literary Thought in his later years [J]. Journal of Theory, 2004 (11): 33-37.

Wang Ruoran. On the Nationalized Development of Animation Creation under Marxist Theory of Literature and Art [J]. Beauty and Times (Middle), 2015.

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Published

20-07-2023

Issue

Section

Articles

How to Cite

Hou, S. (2023). On the Nationalized Artistic Creation under Marxist Theory of Literature and Art. Highlights in Art and Design, 3(3), 76-78. https://doi.org/10.54097/hiaad.v3i3.11250