Myth, Imagination and Digital Imaging: On the Aesthetic Expression of Nationality in Chinese Fantasy Films

Authors

  • Peng Liu

DOI:

https://doi.org/10.54097/hiaad.v4i1.11732

Keywords:

Digital Imaging, Chinese Fantasy Movies, Nationality, Aesthetic Expression

Abstract

Chinese fantasy movies have been based on Chinese myths and legends or ancient novels about monsters since the beginning, and have mixed martial arts, kung fu, traditional opera and other folk-art forms in the form of expression. As China's digital film technology production system matures, the boundaries between national films and transnational films in Chinese fantasy films are becoming increasingly blurred. This article mainly analyzes how Chinese magic movies, driven by technology, use local cultural elements to generate images and aesthetic conceptions with national characteristics. It proposes that magic movies should create a visual style with oriental aesthetic attributes, build cultural confidence, and enhance China through image dissemination. cultural influence.

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References

Gong Jie. China's "God and Demon Fantasy Film": Development and Deficiency[J]. Sichuan Drama. 2009(03):94-97.

Jiang Meng. The preliminary construction of the concept of "Modern Chinese National Film" - An introduction to early Chinese film trends (1905-1930) [J]. Journal of Southwest University for Nationalities (Philosophy and Social Sciences Edition). 2022 (09): 174-181.

Luo Yijun. Thoughts on Film Poetics [J]. Literature and Art Research. 1999 (05): 45-47.

Peng Liu. Analysis of Classical Aesthetic Expression in Eastern and Western Films [J]. Art Technology. 2017 (08): 124, 137.

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Published

28-08-2023

Issue

Section

Articles

How to Cite

Liu, P. (2023). Myth, Imagination and Digital Imaging: On the Aesthetic Expression of Nationality in Chinese Fantasy Films. Highlights in Art and Design, 4(1), 61-63. https://doi.org/10.54097/hiaad.v4i1.11732