Study of Audience Emotions in Epic Cinema

-- Taking Genghis Khan Film as an Example

Authors

  • Wei Wang

DOI:

https://doi.org/10.54097/hiaad.v4i1.11814

Keywords:

Epic Film, Audience Emotion, Genghis Khan

Abstract

The purpose of epic films is not only to tell a good story, but also to let the audience have more and deeper feelings while being entertained. The audience's emotions go deeper and deeper in the process of watching the film, from pleasing the eyes to understanding the characters to triggering empathy, which also fits the three parts of Freud's theory of the structure of consciousness, and in fact is the process of the audience's consciousness going deeper and deeper into the film step by step.

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References

Guo Jingping. Sociology of Emotion: Theory and History of Reality [M]. Shanghai: Shanghai Sanlian Bookstore, 2008.

Chen Baoguang. Creating with the True Feeling of the Nation [J]. Cinema Chi Chi. 1992.2.

Tian Yi. Genghis Khan, Interview [J]. Film new work 1999.02.

Heidegger, The Origin of the Work of Art, Beijing: Commercial Press, 2022.

James W. Carey. Communication as Culture: Essays on Media and Society [M]. Translated by Ding Wei. Beijing: Huaxia Publishing House,2005.

Zhao Zhiyong. Re-conceptualisation of Brecht's Theory of Strangeness[J]. Journal of the Central Academy of Drama,2005.

Chen Dandan. Reflections on the Content and Value of Current Humanistic Documentaries[J]. China Television, 2022.

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Published

28-08-2023

Issue

Section

Articles

How to Cite

Wang, W. (2023). Study of Audience Emotions in Epic Cinema: -- Taking Genghis Khan Film as an Example. Highlights in Art and Design, 4(1), 74-76. https://doi.org/10.54097/hiaad.v4i1.11814