From the British "willow Pattern" of Blue and White Porcelain to See the Spread of Chinese Style in the Qing Dynasty

Authors

  • Haiying Liu
  • Yuting Xie

DOI:

https://doi.org/10.54097/hiaad.v4i1.11966

Keywords:

Jingdezhen Ceramics, Export Porcelain, Willow Pattern, Chinese Style

Abstract

This paper takes the example of the development of blue and white porcelain with "willow pattern" in Britain, and examines the reasons and significance of the spread of Chinese ceramics, so as to illustrate the prevalence of "Chinese style" of ceramics, Chinese ceramics have also had a profound impact on British and European aesthetics, and the Chinese style has slowly spread.

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References

Liu Yu, Study of "Chinese Style" Painting in Eighteenth-Century France (Dissertation) East China Normal University 2022. p5.

Shirley Gan. Chinese Export Porcelain. Oriental Publishing Center. 2008. p19.

Cheng Tingji(Qing Dynasty) . Fuliang County Records, Jiangxi Provincial Library, 1960, oil-printed copy.

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Published

28-08-2023

Issue

Section

Articles

How to Cite

Liu, H., & Xie, Y. (2023). From the British "willow Pattern" of Blue and White Porcelain to See the Spread of Chinese Style in the Qing Dynasty. Highlights in Art and Design, 4(1), 86-88. https://doi.org/10.54097/hiaad.v4i1.11966