The Soul of Ethnic Music: The Mongolian Ethnic Song "Hongyan" as an Example

Authors

  • Keling Liu

DOI:

https://doi.org/10.54097/hiaad.v4i2.12183

Keywords:

Folk Music, Film Music, Mongolian Song

Abstract

 In the era of new media, Chinese film music presents a diversified development situation, and in Chinese film music, the element of ethnic music is an important part that cannot be ignored, and it has an important influence on the development of Chinese film music. The article mainly starts from the content and role of film music, specifically analyses the application of folk music in Chinese film music, and explores the three major elements of folk music, namely, musical instruments, folk songs and operas, and at the same time, takes the Mongolian song "The Wild Geese" as an example, and focuses on the analysis of the application of the elements of folk songs in Chinese film music.

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References

Xu Yanni. On the use and performance function of pipa elements in Chinese film music[J]. Music Communication, 2014 (1).

Wei Xiaoqiong. An analysis of the use of folk music elements in Chinese film music]. Short story (original version),2014(2).

Hu Shanshan. Analysis of the use of ethnic music elements in film music[J]. Popular Literature and Art, 2014(16).

Li Bin, Cao Yanning. The soundlessness of the other time is better than the sound: "popular civicism" and the foundation of Chinese film music[J]. Journal of Chongqing University of Posts and Telecommunications (Social Science Edition), 2011 (1).

Liu Zhen. The use of Chinese folk music elements in film music[J]. Film Literature 2010(23).

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Published

25-09-2023

Issue

Section

Articles

How to Cite

Liu, K. (2023). The Soul of Ethnic Music: The Mongolian Ethnic Song "Hongyan" as an Example. Highlights in Art and Design, 4(2), 7-8. https://doi.org/10.54097/hiaad.v4i2.12183