Characteristics of Mongol Figures in Persian Miniature Paintings

Authors

  • Ge Le Na Ri

DOI:

https://doi.org/10.54097/hiaad.v4i2.12855

Keywords:

Miniature Painting, Persian Miniature Painting, Mongolian Figures, Human Figures, Analysis

Abstract

Among art categories, Persian miniature paintings have a very high reputation. Persian miniature paintings are also called Iranian miniature paintings. Persian miniature paintings first appeared in illustrations in books. Miniature painting began to have a significant Mongolian style in the 13th century AD. At the same time, it was influenced by Mongolian art and finally reached its peak in the 15th and 16th centuries. Because the Mongols at that time wanted to write "Historical Collection" and other similar types of works, they added some illustrations. This movement effectively promoted the development and growth of Persian miniature painting in the world, allowing Persian miniature painting known to more people, and the development of Persian miniature painting has broken the previous constraints on figure painting in Islamic countries and created its own distinctive artistic style. After relevant investigation and understanding, it was found that the current academic research on Persian miniature paintings is mostly around the techniques, composition and color of Persian miniature paintings. For this reason, this thesis research will mainly be based on the research of other scholars. In it, the image of Mongolian figures in Persian miniature paintings is discussed in detail to deepen the understanding of Persian miniature paintings.

Downloads

Download data is not yet available.

References

Jing Liang,Xinlong Zhou. Characteristic analysis of Xinjiang fine-painted patterns and innovative pattern design[J]. Xinjiang Art (in Chinese),2022(06):32-37.

Mu Hongyan. The reference of Persian fine painting to Chinese painting art[J]. International Sinology,2022(S1):10-17+ 124+ 129.

Yang Ronghan.Yuan Qinghua Patterns in the Illustrated Books of 14th Century Persian Miniatures[J]. International Sinology, 2022 (S1):18-24+124.

Guo Yang Mengsha. A preliminary study of blue-and-white ceramics in the fine paintings of the Chronicle of the Kings[J]. Forbidden City,2021(12):116-129.

Lin Peng. Analysing the Decorative Language of Persian Miniatures[D]. Beijing Institute of Fashion Technology,2021.

Han Congyi. Exchange and Mixture: A Study of "Mongolian Image" in Persian Miniatures [D]. Inner Mongolia Normal University, 2021.

Mu Hongyan. The Implied Narrative of Persian Miniaturised Illustrations [J]. Art Research,2021(03):100-105.

Han Congyi. An overview of the current status of research on the "Mongolian image" in Persian Miniatures[J]. Chinese Literary Artists,2020(09):8-9.

WEI Yang, ZHANG Yifan. Analysis of the Decorative Characteristics of Persian Miniaturised Paintings--Taking "The Meeting of Prince Humah of Persia and Princess Humayun of China" as an Example[J]. Today Media,2020,28(01):155-156.

Mu Hongyan. "Mongolian Great "Chronicle of the Kings": Persian Miniatures Towards Maturity[J]. Journal of North Polytechnic University,2018,30(06):55-63.

Jia Mengfei. Research on Islamic fine painting[D]. Xi'an Academy of Fine Arts,2018.

Downloads

Published

01-09-2023

Issue

Section

Articles

How to Cite

Na Ri, G. L. (2023). Characteristics of Mongol Figures in Persian Miniature Paintings. Highlights in Art and Design, 4(2), 62-64. https://doi.org/10.54097/hiaad.v4i2.12855