Research on the Inscriptions on Ancient Bronze Objects and Related Issues under the Visual Threshold of Calligraphy National Exhibition

Authors

  • Lingjia Kong

DOI:

https://doi.org/10.54097/hiaad.v4i2.13497

Keywords:

National Exhibition, Seal Characters, Inscriptions on Ancient Bronze Objects, Model

Abstract

In recent years, the selected rate continues to rise in the calligraphy works taking as the model of inscriptions on ancient bronze objects in national calligraphy exhibitions, which reflects the current situation of taking as seal characters’ models in the calligraphy circle and the aesthetic orientation of calligraphers. Based on the analysis of the relevant data of seal characters in the calligraphy national Exhibition, this paper reveals the status and development trend of works taking as the model of inscriptions, and further discusses the gains, losses and prospects of calligraphy creation taking as the model of inscriptions in the national exhibition.

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References

Cong Wenjun: Chinese Calligraphy History: Pre-Qin Volume [M], Jiangsu Education Publishing House, 2007.

Liu Chengji: A General History of Chinese Art Criticism: Pre-Qin and Han Volumes [M], Anhui Education Press, 2015.

Liu Zhiji, Zhang Zaixing: Digital Processing System of inscriptions of bronze in Shang and Zhou Dynasties [DB/CD], Guangxi Jinwan Electronic Audio-Visual Publishing House, Guangxi Education Publishing House, 2003.

Hu Changchun: The Style Beauty of inscriptions of bronze in Shang and Zhou Dynasties [J], Chinese Calligraphy, November 2023 (411), pp. 50-52.

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Published

01-10-2023

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Section

Articles