The Dimension of Medium: The Transcendence of Technology in Digital Printmaking

Authors

  • Yuqing Xia

DOI:

https://doi.org/10.54097/ss3b1992

Keywords:

Digital Printmaking, Technology, Media

Abstract

The visual presentation of digital printmaking has long appeared, and it is indeed a new technical means in the creation of printmaking. Starting from the generation of the concept of digital printmaking, we will investigate the technical view of digital printmaking in detail, and then examine the linkage between digital printmaking technology and the modern media, and ask what the digital printmaking has to do in the art context of the present time, and how this new language of printmaking can complete the transcendence of the digital technology so as to realize the intervention of the artist in the real life. How this new printmaking language can surpass the digital technology and thus conform to the trend of media communication, change the creative thinking of artists and realize the intervention in real life.

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References

Li Jiani. The Development and Controversy of Digital Printmaking at Home and Abroad[J] China Literary Artist, 2020(1).

Fu Yejun, Jiang Peng. The Intervention of Digital Art in Printmaking - Digital Technological Processing of Perforated and Intaglio Images[J]. Art in China, 2012(4).

Eagle Weiwei, Yuan Pei. Research on black and white digital printmaking technology based on Photoshop[J]. Software Engineer, 2014(7).

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Published

27-04-2024

Issue

Section

Articles

How to Cite

Xia, Y. (2024). The Dimension of Medium: The Transcendence of Technology in Digital Printmaking. Highlights in Art and Design, 5(3), 54-56. https://doi.org/10.54097/ss3b1992