The Bottom Line in a Post-Truth Perspective

Authors

  • Haiyan Zhu

DOI:

https://doi.org/10.54097/79c1nb64

Keywords:

Post-truth, Post-truth era, The Bottom Line

Abstract

In the environment of deepening globalization, the value of TV dramas in cultural dissemination, building national image and enhancing national cultural strength is becoming more and more prominent. As an important carrier of China's cultural communication, TV dramas have the important mission of spreading national culture, shaping national image and improving national cultural soft power. The article analyzes the drama "The Bottom Line" released in China from the perspective of post-truth, which mainly focuses on a series of legal issues arising from cyber violence to reflect human ethics.

Downloads

Download data is not yet available.

References

Xia Ying. "Post-truth":A new form of truth--and debating with professors Wu Xiaoming and Wang Xingfu[J]. Exploration and Controversy,2017(06):66-70.

LUO Yu-Ting, WU Nan. On the Value Clarification in the "Post-Truth" Cyberspace[J]. Thought Theory Education Journal, 2020, (06):139-145.

Zhang Dingli. "The Dilemma and Transcendence of Young Students' Value Identity in the Post-Truth Era[J]. Journal of Zhenjiang Higher Education,2022,35(03):52-55.

Pang Jinyou. The Motivation, Logic and Response of "Post-Truth" Politics in the Network Era[J]. Exploration, 2018, (03): 77-84.

GUO Mingfei, XU Kelongbo. "The Dilemma of Value Consensus and the Path of Dissolution in the Post-Truth Era[J]. Ideological and Political Education Research,2021,37(01):54-61.

CHEN Xiaoyan, BI Xiaoru. False information and the reconstruction of online information content ecology--Based on the theoretical perspective of platform society[J]. News Communication, 2022, (21):34-36.

Downloads

Published

29-05-2024

Issue

Section

Articles

How to Cite

Zhu, H. (2024). The Bottom Line in a Post-Truth Perspective. Highlights in Art and Design, 6(1), 10-12. https://doi.org/10.54097/79c1nb64