Study of Hiroshi Sugimoto's Photographic Works: The Characteristics of Picture Expression of Photography in Postmodernism

Abstract

This article explores the artistic journey of Hiroshi Sugimoto, a renowned photographer whose work has profoundly engaged with modernism and postmodernism. Sugimoto's approach to photography is characterized by its minimalist aesthetic and deep exploration of themes such as time, history, and memory. The analysis focuses on several of his notable series including "Dioramas," "Theaters," "Seascapes," "Lighting Field," and "Appropriate Proportion." Each series is examined for its unique methodological contributions to photography and how Sugimoto revisits and reinterprets these works to provoke varied cultural interpretations among viewers. The article highlights Sugimoto’s background and how his early experiences and education influenced his distinctive style. It also discusses his innovative use of camera-free photography techniques, particularly in the "Lighting Field" series, where he employs electrical shocks to create abstract images on photo paper. The paper concludes by reflecting on how Sugimoto’s work challenges traditional perceptions of photography and contributes to ongoing dialogues in contemporary art, illustrating his role as a bridge between the artistic legacies of modernism and the diverse narratives of postmodernism.