Research on Ethnic Culture Presentation of Inner Mongolian Film from Multiple Perspectives

Abstract

In Inner Mongolian films, heterogeneous culture is not a symbol of consumption to the West/others, but an important medium to explore the true meaning of the national culture. The analysis of Inner Mongolian films from the perspective of landscape aesthetics can give insight into the most distinctive features of The Times. This paper holds that, in terms of story text, Inner Mongolian films is breathing with The Times and sharing the fate with the motherland, constantly reflecting the living conditions of Inner Mongolia people in the great era. In terms of music application, Inner Mongolian films adhere to the "imported", integrate the characteristic music of other nationalities, and apply it in an innovative way, presenting a brand new musical cultural landscape. In terms of belief, Inner Mongolian films express the deepest cultural concept of the nation by presenting a series of folk culture with a cold gaze attitude. In the course of more than 70 years of creation, Inner Mongolia has built a unique cultural landscape in the history of Chinese films.