Analysis of the Construction of Improvisational Phrases in “All the Things You Are” by Jazz Pianist Michel Petrucciani

Abstract

Michel Petrucciani, a distinguished French pianist in the 1980s, whose career and life were equally legendary, achieved remarkable feats. His renowned composition “All the Things You Are” advanced and refined the bebop language. This paper undertakes a comprehensive exploration and study of the piece, focusing on its improvisational construction of melodic lines, harmony, and rhythmic expression. The aim is to illuminate its distinctive musical style and artistic principles. By doing so, this paper aims to inspire researchers of Michel Petrucciani's improvisational style and jazz music from multiple perspectives, providing a reference for future enriching studies in jazz, thereby holding academic and practical significance in these domains.