Analysis of the Similarities between the Third Movement of Beethoven: Piano Sonata "Passion"(OP.57) and the Third Movement of the Piano Concerto NO 5 "Emperors" (OP.73)

Jie Qian

doi:10.54097/hiaad.v1i3.2706

Authors

Jie Qian

DOI:

https://doi.org/10.54097/hiaad.v1i3.2706

Keywords:

Beethoven, Creation techniques, Music style, Historical status

Abstract

Ludwig van Beethoven (1770-1827) was a representative composer in the European classical period. His Piano Sonata "Passion" (OP.57) and Piano Concerto NO.5 "Emperor" (OP.73) are masterpieces in Beethoven's piano music literature. This article will explore the commonness of these two works, which were created in Beethoven's mature period, in terms of creative techniques, musical style, historical status, etc., and strive to deepen the understanding of Beethoven's piano works in his mature period.

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