Research on the applicability of regional folk art Fengyang Phoenix Painting from the perspective of humanistic ecology

Authors

  • Qiao Li

DOI:

https://doi.org/10.54097/hiaad.v1i3.2963

Keywords:

Human ecology, Folk art, Phoenix painting

Abstract

The core values of socialism contain a very important content is civilization and harmony, the image of the dragon and phoenix is the mythical totem image of the Chinese nation for thousands of years, is an indispensable spiritual symbol in Chinese civilization, and is also the spiritual carrier of Chinese national cultural self-confidence and national self-confidence. The "Essentials of Chinese Painting" records that there are three stops and nine resemblances in painting dragons, and the drawing methods of phoenix birds in Fengyang phoenix paintings also have many elaborates, and the physical composition of phoenix birds is a synthesis of various beautiful objects. Through the interpretation of Fengyang Phoenix Paintings with different themes, different expression techniques and different decorative effects, this study discusses the adaptation of Fengyang Phoenix Paintings to natural ecology and the practical significance of ecological development trends, emphasizes the importance of inheriting and continuing Fengyang Phoenix Paintings and generating a sense of cultural identity, in order to achieve the goal of building a sustainable development activation route for Fengyang Phoenix Paintings, and introduces the important impact of the culture composed of phoenix birds in the cultural category of Fengyang Phoenix Paintings on the humanistic ecology of Fengyang Phoenix Paintings. In-depth study of the future of Fengyang phoenix painting from the perspective of humanistic ecology, so as to provide universal theoretical support for the development of Fengyang phoenix painting in real situations.

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References

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Published

22-11-2022

Issue

Section

Articles

How to Cite

Li, Q. (2022). Research on the applicability of regional folk art Fengyang Phoenix Painting from the perspective of humanistic ecology. Highlights in Art and Design, 1(3), 68-71. https://doi.org/10.54097/hiaad.v1i3.2963