Expanding the Concept of “Theatricality” in Site-Specific Theatre: From Spatial Definition and Temporal Perception to Transformations in Performance Forms

Abstract

The term ‘theatricality’ is in fact a versatile concept, not confined to the realm of drama alone. It constitutes a multifaceted academic lexicon spanning diverse disciplines. At its core lies the capacity within artistic works or actions to evoke an experience akin to theatre, encompassing performative artistry, a sense of setting, visual presentation, and the interactive relationship with the audience. In the realms of theatrical performance and drama, the core attributes of art converge. For instance, the atmospheric setting of stage scenery, the striking visual impact of costumes, the expressive performances of actors, and the immediate emotional resonance between performers and audience collectively shape the unique allure of the theatrical experience. In the visual arts, painters employ skilful composition and colour schemes to transform their canvases into condensed theatrical scenes. Installation artists utilise spatial design to immerse audiences within their works, allowing them to experience the narrative and tension inherent in the pieces. These are manifestations of theatricality. Even in everyday life, theatricality frequently emerges. Grand ceremonies such as weddings, alongside high-profile public events involving celebrities or societal figures, inherently possess a performative quality of deliberate display. These can be interpreted through a theatrical lens, offering a distinctive perspective through which people observe and comprehend the world.