A Study on the Pathways to Innovation in the Design of Enshi Nuo Mask Cultural and Creative Products Driven by AIGC

Authors

  • Runxian Zhao

DOI:

https://doi.org/10.54097/y7mqt539

Keywords:

Generative Artificial Intelligence (AIGC), Enshi Nuo Masks, Regional Culture, Cultural and Creative Product Design, Intangible Cultural Heritage Preservation

Abstract

Against the backdrop of growing attention to digitalization and the preservation of intangible cultural heritage, Enshi Nuo masks—as a distinctive cultural symbol of the Tujia region—face developmental challenges such as a generational gap in transmission, insufficient exploration of their cultural significance, and homogenization of cultural and creative products. The in-depth application of Generative Artificial Intelligence (AIGC) technology offers new possibilities for overcoming these challenges. This paper first elaborates on the technical principles of AIGC and its current applications in the field of cultural and creative design; second, it systematically examines the regional cultural context, artistic characteristics, and transmission challenges of Enshi Nuo masks; subsequently, it outlines an innovative pathway for AIGC to empower the cultural and creative design of Enshi Nuo masks; finally, using the generative design practice of the picture book The Little Carpenter and the Mask God as a case study, it demonstrates the end-to-end application of AIGC tools in plot generation, storyboarding, character development, and illustration. The study indicates that AIGC technology can effectively enhance design efficiency and revitalize the cultural representation of intangible cultural heritage (ICH), but its successful application requires support from high-quality cultural databases and effective human-machine collaboration capabilities. In the future, we should adhere to the ethical boundaries of cultural authenticity and promote the deep integration of AIGC with the ICH cultural and creative industry.

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References

[1] Zhang Jinya. The Production Techniques and Artistic Characteristics of Hubei Enshi Tujia Nuo Mask [D]. Hohhot: Inner Mongolia University, 2020.

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[3] Pei Xiaojuan, Wu Jiaqi, Zhao Yiyong. Research on the Innovation Path of AIGC-Driven Cultural and Creative Product Design in Shanxi [J]. Green Packaging, 2026(03):55-58.

[4] Du Haoran, Guo Yuxin. Innovative Research on Generative Artificial Intelligence (AIGC) Empowering Digital Cultural and Creative Design of Intangible Cultural Heritage Paper Cutting [J]. Paper and Art, 2020(01):61-63.

[5] Fan Shuang. Application Research of Visual Elements of Enshi Nuo Mask in Blessing-themed Cultural and Creative Products [D]. Wuhan: Wuhan Textile University, 2022.

[6] Zhou Zirong, Song Donghui. Development and Application of Cultural and Creative Products Based on the Promotion of Intangible Cultural Heritage Nuo Culture [J]. Media Forum, 2020,3(19):116-118.

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Published

29-04-2026

Issue

Section

Articles

How to Cite

Zhao, R. (2026). A Study on the Pathways to Innovation in the Design of Enshi Nuo Mask Cultural and Creative Products Driven by AIGC. Highlights in Art and Design, 14(1), 26-30. https://doi.org/10.54097/y7mqt539