Sound Trace Flow Composition: A Method for Generating Abstract Visual Forms from Acoustic Features

Authors

  • Yutong Mei Xianda College of Economics and Humanities, Shanghai International Studies University, Shanghai, China
  • Zimo Dong Xianda College of Economics and Humanities, Shanghai International Studies University, Shanghai, China

DOI:

https://doi.org/10.54097/qkc6qf33

Keywords:

Sound-to-Visual Mapping, Visual Abstraction, Generative Art

Abstract

This paper introduces Sound Trace Flow Composition, a rule-based method for converting birdsong features into abstract visual structures. We extract and normalise four features: RMS energy, spectral centroid, frequency-band energy ratios, and zero-crossing rate, to influence flow lines, density, geometric fragmentation, continuity, and negative space. The composition is organised using a Bézier-based framework, and controlled randomness is incorporated to vary the composition within constraints derived from the source. The method preserves the temporal and spectral differences of different birdsong samples in a non-conventional manner by applying a shared visual grammar to them, avoiding reduction to conventional data plots. It bridges explicit sound-to-visual mappings and generative art by providing traceable relationships, constrained variation, and reproducible visual construction.

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References

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Published

31-08-2026

Issue

Section

Articles

How to Cite

Mei, Y., & Dong, Z. (2026). Sound Trace Flow Composition: A Method for Generating Abstract Visual Forms from Acoustic Features. Highlights in Art and Design, 15(2), 24-28. https://doi.org/10.54097/qkc6qf33