Research on the graphic reconstruction of traditional auspicious patterns in contemporary art design
DOI:
https://doi.org/10.54097/hiaad.v2i2.6797Keywords:
Contemporary art design, Traditional auspicious motifs, Graphic reconstructionAbstract
The "auspicious pattern" refers to the pattern of "auspiciousness" and "peace" as the expression of the concept of auspiciousness, which has evolved and become more and more diversified. "Reconstruction" is to break up the original objective structural form and construct a new objective structural form according to the design and concept of the new form, and to make a new extension of its structural meaning. Nowadays, technology has gradually broken the limitations of traditional auspicious patterns in terms of art form and symbolic language, and many excellent designers have redesigned them. The purpose of this paper is to study the social context and creative forms of the reconstruction of traditional Chinese auspicious motifs in the field of art and design today. The purpose of this paper is to examine the social context and creative forms of the reconstruction of traditional Chinese auspicious motifs in the field of art and design, and to analyze the new design methods that continue to convey and even expand the symbolic meaning of the motifs, and to fit the aesthetic orientation of the contemporary people, as well as to inherit and promote the traditional auspicious culture.
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