The evolution of fibre mural representation in public space
DOI:
https://doi.org/10.54097/hiaad.v2i2.7036Keywords:
Fibre mural, Public art, Public space, Expression, HumanismAbstract
The use of fibre materials plays a pivotal role in the composition of fibre mural elements, and fibre murals rely on the use of fibre materials to showcase the meaning and connotation of their works, while the diversity and buildability of fibre materials also provide a good material basis for the creation of fibre mural elements. the meaning and connotation of their works, while the diversity and buildability of fibre materials also provide a good material basis for the creation of In the long history, we can count the cultural connotations of fibre frescoes from the use of fibre materials in each stage of the work left behind at home and abroad, and the materials are the cultural carriers of fresco creation, the historical carriers bearing the social culture, artistic spirit and historical civilisation of the time the materials are the cultural carriers of fresco creation, the historical carriers bearing the social culture, artistic spirit and historical civilisation of the time, while each evolution of materials is a manifestation of a cultural change, and each cultural change is an Each cultural change is an important driving force in the development of mural art. Contemporary fresco art has entered a new era of artistic development, and unlike historical fresco works, the diversity of culture has created The artwork is an important driving force in the development of mural art. but more concerned with the people themselves, the voice of the works themselves, and the spatial expressions of the works have also become diverse, with fibre frescoes in public space The forms of expression of fibre murals in public space have also moved from the 'palace' of history to the 'public space' of the general public, from the traditional 'two-dimensional space' of hanging on the wall to the 'three-dimensional space' of standing in public space." It has been given a multi-layered humanistic meaning. This paper takes the change in the expression of fibre mural as the starting point, exploring the development of fibre mural art, experiencing the humanistic sentiments conveyed in the development of fibre art, and digging deeper into the spiritual connotation of the dimensional mural art in public environments due to the material technology, bringing realistic meaning to the modern murals that exist in architectural spaces.
Downloads
References
Gao Aixiang Fiber art texture effect and technique performance [D]. Master's thesis, Xi'an College of Engineering Science and Technology.2006.
Yu Feng. Exploring the abstract and empathetic expression of hemp fiber material in modern fiber art [D]. Master's thesis, Southwest Jiaotong University. 2006.
Chen Gui. Research on the materials and techniques of fiber art [D]. Master's thesis, Tsinghua University. 2003.
Liu Hui A study on the state of contemporary fiber art [D]. Master's thesis, Tsinghua University. 2004.
Zhao Na. Fiber art language expression and its innovation [D]. Wuhan Textile University Master's Thesis 2010.
Qiao Shuang Contemporary Fiber Art in China [D]. Master's thesis, Nanjing Art Institute. 2005.
Zhang Haidong A Study of Contemporary Japanese Fiber Art [D]. Master's thesis, Tsinghua University 2004.
Chen Zhen. Material - an important expressive language of fiber art [J]. Decoration, 2003, (3), 8.86.
Gao Aixiang, Liang Zhaohua. On the subjectivity of colour in fiber art [J]. Journal of Shaanxi University of Science and Technology, 2005 (5), 118-148.
Jiang Liwei. Transformation of chrysalis into butterfly--Analysis of the development of modern fiber art [J]. Art Research, 2006 (1), 46-47.
Li Dangqi. From Lausanne to Beijing - The 5th International Biennale of Fiber Art Fine Arts [J] Friends, 2009 (1), 64-65.
Liu Haiying. Fiber art in environmental space [J]. Fine Arts Great View, 2009, (2), 60-61.
Lv Weilu. "Space Art"--An exploration of the multidimensional visual forms of modern fiber art [J]. Shanghai Artists, 2006, (6), 76-77.
[Swiss] Erika Billett. Translated by Sang Shengfa. Review of the International Biennale of Wall Art, Lausanne, Switzerland [J]. Decoration, 1997, (4), 60-64
[Jiang Shouqiang, Edward New, Yuan Jinhua. The art space of fiber: Junichi Arai's textile art design [J]. World Art, 2001, (1),43-46.
Wang Kai and Zhuang Ziping. Discerning the Context of Contemporary Fiber Art Creation in China [J]. Meiyuan, 2012, (3), 79-83
Shi Wenli Hanging in the air: An analysis of the hanging form of fiber art in modern environment [J]. Decoration, 2003, (3), 91-92.
Xu Baijia. On the expressiveness of fiber art texture [J]. Silk. 2006, (9), 5-8.
Zheng Guanxi and Zhou Xiaoou. On the relationship between modern fiber art design and colour [J]. Science and Technology Information, 2006, (24), 203.
Du Dakai. Manual labor is still a real need. [J]. Art Observation, 2004, (2), 10.
Pang Qi. Analysis of the law of creation of fiber art [J]. Decoration, 2009, (1), 79-82.
Lin Lecheng. Fiber Art: A Tribute to Handicraft Culture [J]. Fine Art Observation, 2004, (2), 16.
LIN Lecheng and LIU Fang. Poetic space, home of the soul [J]. Decoration, 2005, (1), 26.
Lv Pintian. Reintroducing manual labor [J]. Art Observation, 2004, (2).
Liu Hui. The Journey of Releasing Love ---- A review of the fiber art works of Korean female artist Yoo Jeong-hui [J]. Decoration, 2005, (2), 108-109.
Liu Ju De. The Way of Meridian and Weft, the Image of Heaven and Earth: A Memoir of Fiber Artist Professor Lin Le Cheng [J]. Fine Art Observation, 2002, (7), 19.
Gao Aixiang. Analysis of abstract graphics in fiber art [J]. Fine Arts, 2008, (7), 101.
Ouyang CURLY. An introduction to the development trajectory, status and promotion of modern fiber art in China [J]. Economic and Social Development, 2007, (7), 167-169.
Lin Lecheng. Interaction and Transcendence: From Lausanne to Beijing: 2002 International Biennial of Fiber Art [J]. Art Watch, 2003,(1),20.
Shi Hui and Shan Zeng. A study of modern fiber art [J]. New Art, 2007, (4), 1, 50-62.
Shi Hui. Modern wall-hanging art ---- The development process of modern wall-hanging from the Lausanne International Wall-hanging Biennale [J]. Decoration, 1997,(1),51-55.
Shi Hui. Space-Media-Integration-Innovation-Writing on the Tenth Anniversary of Mr. Wanman's Death [J]. New Art 1999, (3), 45-47.
Shi Hui. Exploring the cross-border nature of Wanman's art [J]. Decoration, 2010, (4), 122-124.
Gong Jianpei. On the designation and definition of the concept of fiber art [J]. Art 100, 2006, (2), 152-154.
[Japanese] Fukumoto Shigeki, translated by Wu Yan. Trends in modern dyeing and weaving through the Lausanne Biennale [J] Journal of Suzhou Institute of Arts and Crafts, 2006, (4), 63-66.
Wang Kai. The emergence and development of modern fiber art in China [J]. Decoration, 2001, (1), 17-18.
Wang Kai. The emergence and development of modern fiber art in China [J]. Decoration, 1994, (11), 17-19.
Ren Guanghui. On the humanizing characteristics of fiber art in modern interior space environment [J] Art View, 2007, (6), 165.
Cui Wei. Review and Prospect of Modern Fiber Art in China [J] Art Research, 2005, (4), 13-18.
Jiang Shouqiang, New Edward, Yuan Jinhua. New media expression of fiber art [J] Decoration, 2003, (3), 32-33.
Zhou Xiaoou. On the material beauty of fiber art [J] Decoration, 2002, (2), 10-12.
Ling Rihua. Alternative development of Chinese fiber art in the context of contemporary art [J]. Fine Art View, 2012, (7), 74.
Zhu Shongshou. Three peaks in the history of French tapestry art [J]. Decoration, 2009, (9), 122.
Jia Huiping. Exploration and inheritance of modern fiber mural creation from the perspective of the fish skin culture of the Herzhe [J]. Talent, 2014(28):300-300.
Liu Shuo. Abstract language expression in fiber mural painting [D]. North China University of Technology, 2019.
Meng Juan. Contemporary fiber murals in public art [J]. Packaging and design, 2017(6):114-115. doi: 10.3969 / j.issn.1007-4759.2017.06.021.
Wang Danyang, Zhang Bingjian, Yang Zhou. Identification of plant fiber species in ancient painted sculptures and wall paintings[J]. Heritage Conservation and Archaeological Science, 2022,34(4):47-57.
DOI:10.16334/j.cnki.cn31-1652/k.20200301675.
Zhang Shiman, Wang Chi. The uniqueness of fiber materials in the use of fresco art [J]. Western Leather, 2022,44(16):147-149.
Chen Xiaolan. The rationality of the existence of modern fiber murals in the field of public art[J]. Popular Literature and Art, 2010(19):47-48.
DOI:10.3969/j.issn.1007-5828.2010.19.039.
Shaanxi History Museum, Chongqing Sound and Light Wisdom Electronics Co. A carbon fiber mural preservation box: CN201821348168.1 [P]. 2019-03-08.
Downloads
Published
Issue
Section
How to Cite
